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Greece EN. Hungary EN. Ireland EN. Italy IT DE. Latvia EN. Besides the 16 mono channels you also get four stereo channels.


The digital audio connections are all present on the rear of the desk. Two FireWire connectors allow allen and heath zed r16 ZED-R16 to be connected to a personal computer whilst the second socket daisy chains devices. Follow this product to see new listings in your feed!

These mixers are getting harder and harder to find, and this is a later build from with the built in ADAT covers and assignable MIDI transport Control earlier models only worked in a fixed transport configuration. Write a Product Review. The only potential drawback for live use is the lack of group allen and heath zed r16 you couldn't group, say, all the drums to a single fader not such an issue in the studio, where you can use the group channels in your DAW.

Allen & Heath ZED R16

Often, though, all you need is a simple send to Firewire, or a return from Firewire, and setting this up is pretty allen and heath zed r16, using buttons to determine whether or not the signal passes through the EQ. But there's more flexibility on offer: using various setups and routing combinations that are described in the manual you can, for example, send a signal out of the mixer, through your DAW and back to apply DAW effects in real time or, similarly, route a DAW track via a mixer channel's EQ. There are plenty of Firewire allen and heath zed r16 USB mixers on the market now, but it has to be said that the ZED R16 is unique in the way it combines such a high-quality analogue console with audio interface and MIDI control functionality for this price.

This just leaves you the normal routing options to and from the 16 mono channels, but that still gives you plenty of flexibility. Of course, there are no facilities for mixing or controlling the additional ADAT channels using the desk, so allen and heath zed r16 something that must take place in your DAW. Turning on the ZED R16, it's immediately ready for use. Although this isn't completely silent, it's certainly quiet — about the same volume as my MacBook when idling.

If you iLive was crashing like that I would seriously suspect it. You obviously work on more fault-tolerant shows than I do.

They'll hold their own against all but top-quality standalone converters and add good value to the console. The converters used for the main mix output and stereo return a single codec chip have a bit more noise hence less dynamic range than those for the main channels. This, plus the fact that they're disabled above 48 kHz sample rate, seems a bit odd to me since this is essentially your "master" path. When mixing analog and recording the mix back allen and heath zed r16 the computer, you're not using the best converters in the console.

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You can, of course, route the DAW mix back through the higher grade channel converters, but that puts the full console in the monitor path, so pick your poison. Return Window This item is sold As-Described and cannot be returned unless it arrives in allen and heath zed r16 condition different from how it was described or photographed. Web address of the other item:. Signs of wear on some of the transport buttons but otherwise flawless cosmetic and working condition.

Allen & Heath Zed R16

In addition to multi-track recording, the ZED-R16 allows mixing down in analogue, then recording back into the computer in digital. Recording the live allen and heath zed r16 is straightforward; the record feed signal can be easily assigned using the four buttons next to the faders. The best epitaxial low noise transistors are used in the front end, and active feedback is employed in both phases before the differential amplifier. And why not? Where digital is precise, controllable and predictable, good analogue equipment is characterful and tactile — and it often has an indefinable funk-factor.


Of course, the two can complement each other beautifully: the trick is knowing how — and at what points in your signal chain and production process — to harness the merits of each. The ZED R16 consciously attempts to marry digital and analogue in a way that's useful to allen and heath zed r16 wide range of users. We'll get into the detail later on, but essentially the design trades a number of features like group allen and heath zed r16 that might be considered standard on a studio or live console for specialised functions that make it fit better in the modern computer-based studio. The emphasis on flexibility should ensure this mixer has a use in everything from single-laptop bedroom setups, through project and small commercial studios, to the location and live fields.

So you've coughed up for the ZED R what exactly do you get?

Allen & Heath ZED R16

At around 13kg 29lb and with maximum dimensions of 70cm x 47cm x 10cm, this is by no means a room-filling mixer, but it's certainly hefty enough to form the centrepiece of an impressive setup. What all this allen and heath zed r16 is that the ZED R16 can be assigned to multiple roles.ZED-R The ZED-R16 is a superbly equipped console with all the crucial parts of the recording process in one box. The best performing preamp in Allen. The ZED-R16 is Allen & Heath's first true recording FireWire mixer in over 10 years. This exceptional recording mixer with 18 FireWire I/O can also be used as a.

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